Earticle

초록

영어

During the last century, domestic and foreign scholars alike engaged in diverse discourses on Korean aesthetics. However, the majority of these discussions did not take place as part of specialized academic research, but rather consisted solely of authors' renderings of their intuitive judgment or individual impressions. Furthermore, even when attempts were made to discuss theories relating to Korean aesthetics, the majority of these merely focused on the characteristics of Korean arts, and in particular craft items. As these discussions have been carried out within limited frameworks such as those of the uniqueness or identity of Korean aesthetics, these have to some extent become esoteric in nature.
As a result, the theory of Korean aesthetics could not overcome the existing framework in which it emerged as a simple by-product in the study of Korean art history. In this regard, there is a need to expand the sphere of the study of Korean aesthetics by examining it from the standpoint of the wider culture known as humanitarianism. Few examinations of Korean aesthetics as part of studies of ideological and religious notions such as those found in Buddhism, Confucianism, Daoism, or Shamanism, or even in everyday life, have been undertaken.
To this end, this study intends to conduct a reanalysis from the standpoint of Daoist philosophy, or more specifically, of the religious perspectives contained in Daoism, so as to be able to relativize and generalize Korean aesthetics.

목차

Abstract
INTRODUCTION
 1. PURITY AND INDIFFERENCE
 2. VIRTUOUSNESS AND SIMPLICITY
 3. REMOVAL OF SELF-CONSCIOUSNESS
 4. UNIVERSAL CYCLE AND NAIVETY
 5. KOjOLMI (古拙美): BEAUTY OF ANTIQUENESSAND COARSENESS
 CONCLUSION
 REFERENCES

키워드

저자

• TSCHUNG-SUN K1M [ an associate professor in the Department of Korean StudiesJ Keimyung University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  Acta Koreana

• 간기

  반년간

• pISSN

  1520-7412

• 수록기간

  1998~2025

• 등재여부

  KCI 등재,SCOPUS,A&,HCI

• 십진분류

  KDC 912 DDC 951