Popular culture in Asia, including music, is intensely transnational, involving not only exchanges with the West, but also the traffic of regional popular musics between Asian countries. The dynamics of intra-Asian popular cultural flows, however, are much more complicated and locality-specific than it may first appear to be. In this essay I address the contrast in pop musical “flows” between Japan and Korea. Recently the popular press has made much of the Korean Wave (the demand throughout Asia for Korean popular cultural products, including music). This has, indeed, been an important new development, an area that scholars have begun to document and interpret. However, the coverage is distorting, suggesting that Korea is replacing Japan as the main trend-setter in Asia. Japan’s continuing and substantial influences throughout Asia, and on contemporary Korean popular culture in particular, have been rather intentionally underestimated, I argue, and Korea’s recent influences in Japan have been exaggerated and overvalued. More specifically, the nature of Korean popular musical presence in Japan is categorically different from the Japanese presence in Korea. Korean pop music undergoes a process of “repackaging” by the Japanese music industry, rendering it, while not completely “de-Koreanized,” substantially “Japanized.” In contrast, Japanese pop is imported and consumed in Korea mostly “as is,” suggesting that Korean audiences relish new Japanese sounds and images in ways that are not reciprocated as Japanese encounter pop from Korea. I illustrate these contrasts with examples of recent pop from both countries and interpret them in light of the troubled history of Korea-Japan relations.
목차
Abstract Introduction Korea and Japan: "Close but Distant" Korea: "Japanized"/"Inferiority Complex" Japan: "similar but superior"/"in but above Asia" Japanese Wave[Illyu] and Korean Wave[Hallyu] Japanes Wave: Presence of Japan in Korea's Popular Music Culture5 Korean Wave: Presence of Korea in Japan's Popular Music Culture Conclusion References
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.