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谷崎文學における影と光の表象 - 視賞的な肉体美の表出 -
Expression of the shade in Tanizaki literature and the symbol of light - visual physical beauty -
곡기문학における영と광の표상 - 시상적な육체미の표출 -

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제19집 (2009.06)바로가기
  • 페이지
    pp.315-326
  • 저자
    吉美顯
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A110663

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원문정보

초록

영어
It was considered forcusing on “gold death” and “idiot's love” what kind of literary world you tried to express in writing through the longitude and latitude of the making and the movie of a movie of Tanizaki interested in the media which become the center of the time. Mr. male main character Okamura of “gold death” applies gold foil the form by “artificial paradise”, makes it the form of “arhat bodhisattva” and makes “demon ogre” act, but for human body and that also to embody female beauty in a male body I die. His death is a visual physical function, I concern the pleasant sensation to which I say “It's seen.” That's as a result of the pursuit of the beauty of “man with female beauty” Mr. Okamura is talking about. Mr. Okamura produced “of a body, perfect” aesthetic appreciation by the= masochism which “is seen”, and that came to “gold death” by an accident, I'll get a word. He tried to embody permanency of living beauty and infinity through Mr. Okamura's artificial heaven and mortality, but Tanizaki couldn't be sublimated. After that Tanizaki loads the various material in a film, produces a movie for embodiment of the world of eternal beauty of a visual physical function and finds female body beauty through a screen. Tanizaki borrows expressive form as a movie because a living female body is form-ized as an eternal lady in Western way. The desire by which he was touched by an American movie off, I tried to achieve the world through character Naomi of “idiot's love”. The technology by which it's photography that Kawai says a movie, as the means, the world, just like, I recognize that it's that I copy, record and become a symbol. He asks Western female body and “white” from her because Naomi's female body is symbol-ized. Naomi accepts Kawai's request and moreover behaves like a character of a movie naturally. A point-like symbol of a modern girl is born and gains the eternal female beauty by the sight by approach to Kawai's movie.

목차

1. はじめに
 2. 谷崎における映畵の形象化
 3. 谷崎作品に表れている映畵の意味合い
  3-1.「金色の死」一視覺的な官能 
  3-2.「痴人の愛」における視覺的な西洋の女体
 4. 結論
 參考文獻
 논문초록

저자

  • 吉美顯 [ 길미현 | 우송대학교 글로벌비지니스 일본학전공 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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