Earticle

초록

영어

This paper shows how the mechanism of literature appears on Modern literature, exploring into the origin of Modern-Buddhist literature in Korea and China. It is no doubt that Yang Geon-Sik and Su Man-Shu's literature embody Buddhistic sprit, and connect with tradition and modern. Thus, we can verify that Yang Geon-Sik and Su Man-Shu's Buddhistic literature had been advanced to a pattern of aesthetics, and there is the mechanism of mind being supposed to be a reliable authority on the relationship between Modernism and buddhism in their literature. First is the discovery of modern tragic sprit. Through their pieces, they could understand the meaning of a solitary person who is described with loneliness and confession. Second is the discovery of a sprit of modern liberty. In modern time of East Asia being clash with complicated society and idea, a comfort which they gained through their works is that embodiment of sympathy or mercy. Thirty, rediscovery of a sprit of modern liberty is that a problem how literary result reflect in actuality, that is associated with literary identity of nation and race.

목차

1. 들어가며
 2. 근대 거사불교와 근대문학4. 「國民倫理特講」과 '孝'
  1) 양건식의 거사불교운동 참여와 문학활동
  2) 蘇曼殊의 거사불교활동 참여와 문학 활동
 3. 근대 불교적 사유와 문학적 전유의 기제들
  1) 孤獨과 고백으로서의 근대 悲劇精神의 발견
  2) 慈悲와 同情으로서 근대 자유정신의 발견
  3) 歸依와 귀향으로서의 근대 전통문화의 재발견
 4. 나오면서
 참고문헌
 논문초록

키워드

저자

• 박노종 [ Park, Lo-Jong | 동의대학교 전임연구원 ]
• 권혁건 [ Kwon, Hyuk-Gun | 동의대학교 인문대학 일어일문학과 교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950