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내포 저자 논쟁과 나보코프의『롤리타』
The Position of Implied Author in Nabokov's Lolita

첫 페이지 보기
  • 발행기관
    미국소설학회 바로가기
  • 간행물
    미국소설 KCI 등재 바로가기
  • 통권
    제15권 2호 (2008.12)바로가기
  • 페이지
    pp.5-26
  • 저자
    권태영
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A110534

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원문정보

초록

영어
Since Wayne Booth created the concept of “implied author” in his book entitled The Rhetoric of Fiction (1961), the narrative term of “unreliable narrator” has been renowned in reading fiction, along with the return of the author repressed by Modernist’s aesthetic. The implied author is the literary version of the real author in the text as the result of reader’s inference, and is rooted in the postmodern epistemology regarding language as rhetoric. When Booth coined that terminology, the implied author indicated the norms for reading a text in which the voice of the author and that of the (character) narrator diverge and converge in a “dual focalization” or even in triple voices. However, after 30 years of cultural studies and political corrections, when the expression “implied author” has returned in line with the return of ethics as well as of aesthetics, such as is seen these days, the term needs to be revised and redefined. Some argue for including the cultural and historical background of the reader, but others argue against the necessity of that term, implied author itself. This paper introduces several scholars’s controversial discussions to reveal the reason that we need that term. Without the implied author we can hardly enjoy the intricate narrative strategy of Nabokov’s Lolita. Representing how an unreliable narration can be ethical by means of the artistic sublimation, Lolita displays a fine example to indicate the position where an implied author can be located in metafiction. In conclusion, an implied author does not disappear, nor does it need the cultural context of a reader. It is strictly inferred in the text itself through the reading process by the authorial “rereader,” and needs to be relocated in accordance with the paradigm shift of literary form.

목차

I. 서론
 II. 내포저자는 정말 필요한가
 III.『롤리타』와 내포저자
 IV. 결론
 인용문헌
 Abstract

키워드

implied author unreliable narrator metafiction Lolita dual focalization

저자

  • 권태영 [ Teckyoung Kwon ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    미국소설학회 [The American Fiction Association of Korea]
  • 설립연도
    1989
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 마크 트웨인을 중심으로 한 미국 문학 및 문화에 관한 학슬 활동의 증진을 목적으로 한다

간행물

  • 간행물명
    미국소설 [마크 트웨인 리뷰]
  • 간기
    연3회
  • pISSN
    1738-5784
  • 수록기간
    1991~2020
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 843 DDC 813

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