In the suburbs of Pittsburgh, in Pennsylvania, U.S.A, sits the Sri Venkateswara Temple, the oldest Hindu Temple constructed in the Penn Hills section of Pittsburgh in 1976. Living on the opposite side of the globe, diasporic Indians in Pittsburgh reconstruct their “home” surroundings and rigidly follow the Indian religion, tradition, and culture—especially inside the Sri Venkateswara Temple. In fact, the temple is a small version of “India” itself; things that are experienced in daily lives in India are reproduced and materialized by priests and devotees every day inside the temple. Immigrant Indians often feel alienated from their host society, and attending rituals, music and dance concerts, lectures and language classes in the Sri Venkateswara Temple provide diasporic Indians not only psychological consolation, but an aid to construct their identities as Indian. In Indian traditions, the boundary between “sacred” and “secular” is vague, and diasporic Indians usually express their Indian identities through “performing” their tradition. In this essay, I focus on Indian-Americans’ (especially Hindu Tamils) perceptions of religion and culture by examining a musical performance during a ritual ceremony and a children’s Sunday school session based on field research from 2006 and 2007. I address the following question: What roles do ritual ceremonies and musical practices play in constructing notions of “India” in Pittsburgh? My findings show how essentialized notions of culture are central to identity construction in diasporic communities.
목차
Abstract Introduction Indian Immigrants in Pittsburgh Sri Venkrteswara Temple Ritual and Music Performances in the SV Temple The Venkateswara Abishekam The "Sound" of Ritual Ceremony Performing "Culture" and Performing "Religion" Children's Sundat School Session in the SV Temple Description of the Children's School Session Teaching of Indian Patriotic Song in the SV Temple Conclusion References
키워드
Indian diasporaSri Venkateswara TemplePittsburghHinduismritualchantdevotional songCarmatic music
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.