Chaoxianzu is the Chinese official name for the Korean minority nationality who predominantly resides in Northeastern provinces of the People’s Republic of China (PRC). This study examines Chaoxianzu music created by composers who are based in the two government performing arts organizations: the Yanbian Song and Dance Troupe and the Yanji Chaoxianzu Arts Troupe. The Yanbian Song and Dance Troupe has represented Korean cultural identity in and outside of their autonomous region since 1940s. The Yanji Chaoxianzu Arts Troupe was established in 1981 coinciding with awareness to retrieve Chaoxianzu cultural identity much of which disappeared throughout the Cultural Revolution (1966-1976). While both organizations have contributed to the construction and reformation of Chaoxianzu music, they are distinct in terms of the organizational structure, ideology, and definition of Chaoxianzu ethnic performing arts. By comparing and contrasting composers of the Song and Dance Troupe and Chaoxianzu Arts Troupe, and their musical works, I illuminate how individual musicians creatively interject their own projection of Chaoxianzu ethnicity into their compositions. By analyzing their compositional style, I show how these composers are creating a discursive space to articulate their hybrid identities of being Chinese, Korean, and Chaoxianzu.
목차
Abstract Introduction Chaoxianzu Chaoxianzu Music The Yanbian Song and Dance Troupe Composer and Works of the Yanbian Song and Dance Troupe Yanji Chaoxianzu Arts Troupe Composers of the Yanji Chaoxianzu Arts Troups Conclusion References
아시아에서 벌어지는 모든 음악활동을 연구합니다.
특히 아시아에서 일어나고 있는 유럽 음악 편중의 음악상황을 아시아음악 중심으로 전환하기 위한 연구와 운동을 합니다. 아시아음악은 아시아인이 가장 잘 연구할 수 있다는 점에서 아시아음악학 연구는 아시아 학자에 의하여 주도되어야 한다고 생각하는 사람들의 모임입니다.
이러한 목적 달성을 위하여 아시아음악의 역사 이론 연주를 연구합니다. 이 연구 성과는 Asian Musicology라는 영문 저널을 발행하고 있습니다.