草庵茶以前의 日本茶文化構造에 대한 고찰 II - 茶의 實用化와 茶文化를 中心으로 -
A Study on a cultural structure of Japanese tea before Souan tea II - focusing on tea culture and the practical uses of tea - 초암차이전의 일본차문화구조에 대한 고찰 II - 차의 실용화와 차문화를 중심으로 -
Tea was drunk as a fancy beverage. However, the history of Japanese tea was divided into two branches when Eisai, a Zen priest, brought a tea in Japan : One branch considered tea as a fancy beverage and a ceremony was specially held for it. The other branch, the new formation, considered tea in practical context during entertainment. For the more people began to recognize tea's medicinal benefits, which widened tea's purposes. During the Heian era, tea had became more popular for its medicinal benefits than its fancy purpose as a beverage. As ordinary people had more and more access to tea, it was used in different context, such as competition, curation or entertainment. For example, tea was called Cha yoriai within the Toucha competition context. Tea still kept its medicinal benefits during ceremonies. The tea was first called Kencha, offered to a deity and Buddha, and then Zenincharei, used during a tea ceremony held in the Buddhist temple. Some common elements exist in both Zenincharei and Toucha : the ornament and the making of tea powder called Tencha. However, they developed into two different aspects. This development reflects the dual structure of the Japanese culture. Tea had converted itself into Zenincharei and Toucha, both considered as independent dual structures. The independent dual structure between Zenincharei and Toucha was the result during the Heian era of its separation to the simple dual structure of fancy beverage and medicinal use.
목차
I. 序論 II. 茶의 功德과 實用化 III. 茶文化의 兩分化 1. 寄合(요리아이)文化와 鬪茶 2. 禪院 茶禮 IV. 結論 參考文獻 Abstract
키워드
영서차기합관차헌공차선원다례Eisai<name of bonze>Cha yoriaiTo-chaKencha<name of tea ceremony>榮西茶寄合關茶獻供茶禪院茶禮
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.