The studies of classics of Sanjounishike has begun from Sanjounishi-Sanetaka and has mostly completed by it's legitimate grandchild Saneki. Among the classics of Sanjounishike, the studies of Isemonogatari has been compiled by Hosokawa-yousai's Ketsugishou, the summation of Sanetaka's discourses. To discover the developing process in the studies of Isemonogatari of Sanjounishike, the comparison between Iseishou and Ketsugishou, the summation of Sanetaka's discourses, has been conducted in this thesis. As a result, various characteristics of Ketsugishou have been found, which gave an opportunity to compare the academic attitudes of Sanetaka and Saneki. It was able to discover that Ketsugishou is a commentary which preserves the academic tradition of hidden theory and contains scholarly progressive aspects. Ketsugishou also holds the intention of Saneki to spread the views of Sanjounishike. In consequence, Ketsugishou has positioned itself as a commentary influencing the studies of Isemonogatari in the early days of Edo.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.