The objective of this paper is to explore the meaning of God that Endo has tried to find out, basing the study on Deep River, which is called one of the masterpieces of Endo's literature. In Deep River, Endo suggests the image of God, which he has incessantly pursued for 46 years in his career as a writer. Endo projects the image of the Christian God that Japanese can easily understand onto the main character Otsu. Otsu carried on his back the poor dying Hindus who fell down on their way to the Ganges; they were verging on death but dreaming of reincarnation. Otsu carried them to Manikarnika Ghat. Just as Jesus climbed Golgotha with the Cross on his back to save humans, Endo describes Otsu's act as realizing the true love of Jesus. He also thinks the act of Otsu to be the true embodiment of Jesus. Endo's practice of love in the Ganges, spiritual home to Hindus, means that the God Endo has sought transcends religion or religious sect, and embraces the good and evil just like Mother's love. Endo has tried to find the meaning of God in saving all kinds of human regardless of their religion.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.