Earticle

초록

영어

Dashanzi, the center of a vanguard art in Chaoyang district Beijing, is the largest synthetic art in Asia; it draws tens of thousands of viewers in everyday and three hundred of thousand viewers during the art festival. The government of Beijing presented that they would develop this region as the greatest Culture-Art industry Cluster in the world. It also is the route of understanding the present address in Chinese art development, shows its ability at the greatest of the vanguard art in Asia. Chinese society had turned a command economy to a free-market economy in early 1990’s. Some of young artists who graduated from art academy; for example Fanglijun, Yueminjun, Yangshaobin, Xuluotao, Lulin, Dingfang, Yiling, Xuyihui, naturally formed an art colony. This art colony what we are saying is ‘Beijing Dashanzi 798 Yishucun’. The reason why 798 yishucun comes into the spotlight was directly connected in the change of industrial structure, which had turned light and heavy industry to culture industry since 1990. The development of metropolis is accompanied with a plural culture; this is the very attraction of a city. After the development of rural economy and the change of industry structure, we remodel many of old buildings into reusable ones, the role of city could be resurrected.

목차

I. 올림픽과 베이징
 II. 베이징 미술시장의 힘
 III. 따산즈 예술촌의 형성
 IV. 따산즈 예술촌의 발전모델과 특징
 V. 따산즈 예술촌의 지속가능발전을 위한 토대
 VI. 베이징의 도시문화아이콘
 참고문헌
 Abstract

저자

• 김태만 [ Kim, Tae-Man | 한국해양대학교 국제대학 동아시아학과 부교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950