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니키 드 생 팔의 트라우마를 통해 살펴본 아상블라주와 사격회화의 양면적 특성
A Study on the Ambivalent Characteristic Displayed in Niki de Saint Phalle’s Assemblages and Shooting Paintings by Looking Into Her Trauma

첫 페이지 보기
  • 발행기관
    한국미술이론학회 바로가기
  • 간행물
    미술이론과 현장 KCI 등재후보 바로가기
  • 통권
    제6호 (2008.12)바로가기
  • 페이지
    pp.77-99
  • 저자
    유가은
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A101489

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원문정보

초록

영어
The purpose of this study is to show that the reason behind the ambivalentcharacteristic displayed in Niki de Saint Phalle’s works is in her trauma and how suchcharacteristic can be extracted from her works. During her creative years, Saint Phalleworked on various materials from different genres such as assemblages, shooting paintings, aseries on Bride and Monster, ‘Nana’, ‘Tarot Garden’and public sculptures. Onecommonality found among her various works is the ambivalent characteristic that containscontrasting elements simultaneously. Saint Phalle suffered a terrible psychological damageinflicted by her parents during her childhood. Specifically, she was sexually assaulted by herfather and emotionally neglected by her mother, the trauma that affected her for the rest ofher life. As a result, she came to develop extreme love-hate relationships with her parentsand this became the main reason for the ambivalent characteristic displayed in her works. The love-hate relationship Saint Phalle developed can be identified through variousresearches done on the subject of the affect of sexual assault. It is common for incestvictims to develop ambivalent feelings towards the perpetrator and Saint Phalle was noexception.Dissociation disorder and a snake well explain the trauma from her father. It is agenerally accepted belief in the field of psychology that dissociation disorder commonly occursto children who experience incest. And dissociation disorder is similar to the characteristic ofambivalence in the sense that a single entity contains more than two contrasting elements at thesame time. In addition, the amputated doll objects used in her assemblages coincide with theexpression of body detachment of people with dissociation disorder. These facts clearly indicatethat the trauma from her father is showing through in her works.A snake is a subject matter that reflects the ambivalent tendency of Saint Phalle thatresulted from her trauma. She remembers her father’s rape as an image of a snake which is related to a phallic symbol in mythology or art reflecting her trauma. Moreover, shedisplays a similar pattern of ambivalent emotion like love and hate or fear towards a snakeand her father. This is also confirmed by her portrayal of a snake as a monster or reverselyas a creature with fundamental vitality in her works. The lack of affection from her mother can be explained by her mother’s maternaldeprivation. It appears that Saint Phalle’s mother possessed all the causes for maternaldeprivation such as maternal separation, personality disorder and inappropriate attitudetowards child rearing. Especially, a study that shows mother’s negative attitude towardschild breeding tends to increase dissociation experience of children is another importantevidence that supports Saint Phalle’s dissociation tendency. These traces of Saint Phalle’s trauma are clearly revealed in her assemblages andshooting paintings. The violent objects in her assemblages such as a hammer, razor, nailrepresent the rage and defensiveness towards her father. The objects such as fragments ofbroken plates of feminine patterns, pots and mirrors that her mother used symbolize theaffection towards her mother. On the other hand, the destructed objects can be interpretedas her hate and resentment towards her mother. Shooting paintings contain her extremefury and hate. Things such as acts of shooting and the image associated with blood aftershooting are blunt expressions of her bursts of emotions.I have tried to define and classify the ambivalent characteristics shown in herassemblages and shooting paintings as hate, rage, violence, calm, love and pleasureaccording to the frame ofThanatos and Eros. Out of the six, hate, rage, violence and clamare associated with Thanatos while love and pleasure are associated with Eros and theycorrespondingly form an ambivalent structure.These ambivalent characteristics can be found in her assemblages and shootingpaintings. The objects in her assemblages such as a razor, saw, hammer imply hate, rage,violence and the silence felt throughout her works represent calmness. And, as mentioned,the feminine objects can be seen as symbolizing love. In shooting paintings, hate, rage,violence can be found in the use of force and in the traces of watercolor after shooting,and a sense of pleasure in her feelings of catharsis after her shooting. Moreover, a shieldedcalmness can be found on the plywood all covered with plaster before the shooting. This study looked into the ambivalent characteristic of Saint Phalle’s works byexamining her trauma to find its correlation, and a meaning of this study can be found fromthe fact that it refocused the origin of Saint Phalle who is generally known as a feministartist. Additionally, a meaning of the study can be found also from the fact that it examinedthe ambivalent characteristics of her works through a frame of Thanatos and Eros.

목차

Ⅰ. 서론
 Ⅱ. 니키 드 생 팔의 트라우마
 Ⅲ. 니키 드 생 팔의 작품에 있어서 양면적 특성
  1. 양면적 특성의 구조 형성
  2. 양면적 특성의 표출
  3. 양면적 특성의 고찰
 Ⅳ. 결론
 참고문헌
 Abstract

저자

  • 유가은 [ Yoo, Ka-Eun | 국민대학교 미술이론 석사(M. A. of Major in Art Theory, Kookmin University) ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국미술이론학회 [The Korean Association of Art Theories]
  • 설립연도
    2003
  • 분야
    예술체육>미술
  • 소개
    한국미술이론학회는 미술이론의 고유한 역할과 방향을 모색하고자 창립되었다. 미술창작과 해석에 필요한 제반이론을 생산하고 다양한 미술현장의 활동을 검증하고 비판하며 연구하는 학회로서 미술의 이론과 실제사이의 분리현상을 극복하는데 기여하고자 한다. 현재 미술관련 학회들의 성격이 대부분 이론영역에 치중해있고, 학과나 전공에 특화되어 있는데 반하여, 본 학회는 미술의 현장과 창작과정을 적극 반영하고 미학, 미술사 등 기존의 미술이론 영역 뿐 아니라 실기와 미술교육, 경영, 행정, 전시 등 다양한 분야를 총괄하는 학제 간 연구를 활성화시키고자 한다. 앞으로 다양한 미술이론 영역에 대한 심도 있는 연구는 물론 한국미술계의 발전과 변화에 조력할 수 있는 실천적이고 생산적인 미술이론의 형성에 본 학회는 최선을 다할 것이다.

간행물

  • 간행물명
    미술이론과 현장 [The Journal of Art Theory & Practice]
  • 간기
    반년간
  • pISSN
    1738-1789
  • eISSN
    2508-3538
  • 수록기간
    2003~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 601 DDC 701

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