Earticle

초록

영어

A song of 4500 is collected to Manyoshu A short song a collection. It is Manyoshu A short song collection that a song made from a song of the Emperor widely through long time by the song of the common people was done for rearranging, editing in the latter half in the eighth century. In the eighth century, it must be to be very almost envious of a document of the ancient history of literature in us who do not stay that a collection of enormous poetry of 4500 餘首 is edited, and it came in now. Such Manyoshu A short song collection understands song of us and the relevant visit person and that the songs which received influence of the culture from Korea in the ancient times have close to Korean culture and the literature relation. A lot of songs which I did backed by a historic case are seen in Manyoshu A short song collection together. Manyoshu A short song short song collection was sung in ancient Japan, and the time from the latter half to the eighth century was the time when the situation of the politics that was strain was developed in the East Asia whole in edited the seventh century. It is not possible for interpretation and the understanding that Manyoshu A short song collection painted with unless it is good and understands the political situation that I did backed by Chinese foreign country and Silla and Kudara and Japan, a backdrop of the hist Manyoshu short song collection was sung in such a background, and it was made. It is all ages and it is filled with the joys and sorrows, and love comes and goes and hears a legend and that I sang to see beautiful scenery. Generated a series of dramas are connected by the historic case for development to the literature. I stay as a treasure house understanding the Japanese ancient times and come. This is the genuine value of all ages. Was not taken all songs of a writer related to of zinshin kuteta good do the precious thing for the next problem history of the East Asia at the same period.

일본어

万葉集には4500餘首の歌が収録されている。天皇の歌から庶民の歌にまで幅広く長い時間を通じて作られた歌が8世紀後半に整理、編纂にされたのが万葉集である。8世紀に、それも4500餘首の尨大な詩歌集が編纂されて今にまで伝わったということは古代の文学史的な資料がほとんど残っていない私たちにおいては非常に羨ましい事に違いない。　このような万葉集には私たちと関係ある渡来人の歌 そして、古代韓国からの文化的影響を受けた歌など韓国の文化と文学とも密接な関係があることが分かる。ともに万葉集には歴史的事件を背景にした歌もたくさん見られる。古代日本で万葉集が歌われ、編纂された7世紀後半から8世紀までの時期は東アジア全体に緊迫した政治的状況が展開になる時期であった。中国の唐国と新羅、そして百済と日本を背景にした政治的な状況、同時代の東アジアの歴史的事件の背景をよく理解しなくては万葉集の塗った解釈と理解はできない。万葉集はこのような背景で歌われ、作られた。哀歓が立ちこめて、愛が行き交って、伝説を聞いて、そして美しい景色を見て歌ったのが万葉であるのである。歴史的事件で起こった一連のドラマは文学への発展につながっている。日本の古代を理解する宝庫として残って伝わって来るのが万葉の真正な 価値である。 壬申乱の関連になった作家のすべての歌をよく分析できなかったこどが残念ですが、これは次の課題にする.

목차

Ⅰ. 序
 Ⅱ. 壬申亂의 歷史的 背景
 Ⅲ. 壬申亂의 原因과 經過
 Ⅳ. 壬申亂과 萬葉人物
 Ⅴ. 近江遷都와 도치(十市)皇女の悲劇
 Ⅵ. 結
 【参考文献】
 <要旨>

키워드

저자

• 崔光準 [ 최광준 | 신라대학교 교수. 일본 고전문학 전공. ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본학연구 [The Journal of Japanese Studies]

• 간기

  연3회

• pISSN

  1598-737X

• eISSN

  2465-8448

• 수록기간

  1997~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 492