Earticle

초록

영어

This study aims to research for a meaningful source of modern design which is regarded ‘Purity’ or ‘Abstraction’ that is revealed as a common characteristics through works by artists in the ‘Avant-garde’ groups such as, Bauhaus, De Stijl(or Neoplasticism), and Constructivism(or Suprematism). It might be questioned why such characteristics among a lot of those contemporary artists happened simultaneously in accident even though their common propaganda are perceived as so-called ‘Zeitgeist.’ Therefore it might be quested that their works could be made not only by their inherited innate talents, but also more basically by influence of common educational background. As a result, the artists including architects in early twentieth ‘Avant-garde’ groups who created the ‘pure’ shapes toward modern, had been greatly influenced by the late nineteenth Froebel Education which had basically changed the recognition in West. And a further study to reveal another factors which helped the western phenomena is ultimately needed.

목차

Abstract
 1. 서론
 2. 프뢰벨 교육과 근대디자인과의 관련성 논의
 3. 전위예술집단의 ‘순수’조형과 프뢰벨교육의 영향
  3.1 입체파와 ‘결정체’(cubic)모양의 은물
  3.2 신조형주의의 ‘구성’과 격자판 작업
  3.3 바우하우스의 ‘추상’훈련과 구성주의
 4. 결론
 참고문헌

저자

• 오장환 [ OH, Zhang-Huan | 부경대 건축학부 조교수, 공학박사 ] 교신저자

참고문헌