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디지털시대 영상물의 새로운 조건과 정의
New Conditions and Definition of Images in Digital Era

  • 간행물
    디지털융복합연구 KCI 등재후보 바로가기
  • 권호(발행년)
    제5권 제2호 (2007.12) 바로가기
  • 페이지
    pp.155-165
  • 저자
    장지헌
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A57902

원문정보

초록

영어
The meaning of images are changed rapidly by a time, and the images' social function and skills are different by times. Nowadays, the reasons to have different meanings of images are the different ways of representation and reproduction of images by new digital technologies. However, the images are communicating with each other, and the image makers should have responsibility to represent the images. Also, the images should be concerned in social, cultural context, and focused on positive ways to represent. It is hard to predict the future of images, but people shouldn't be controled by manipulated digital images. Therefore, image makers need to have right ethics and morals in digital era not to be controled by commercial enterprises.

목차

Abstract
 I. 서론
 II. 영상의 존재와 철학적 논의
  1. 신적 영상론
  2. 인간적 영상론
  3. 영상 존재의 현대적 논의
  4. 기술의 진보와 영상물의 정체성
 III. 영상의 사회기능론
  1. 현대 영상물의 조건
  2. 영상커뮤니케이션
 IV. 결론
 참고문헌

저자

  • 장지헌 [ Ji Hun Chang | 서울예술대학 방송영상과 교수 ]

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      디지털융복합연구 [Journal of Digital Convergence]
    • 간기
      계간
    • pISSN
      2713-6434
    • eISSN
      2713-6442
    • 수록기간
      2003~2026
    • 등재여부
      KCI 등재후보
    • 십진분류
      KDC 569 DDC 620