Earticle

초록

영어

The synchronicity in modern architecture is revealed, which ignored the visual information of human being, as well as developed not in the direction of modern architecture, but to be the lost art behavior, such as cubism.
In such background the phenomenal synchronicity interpreted visual information of modern architecture work that is suggestive visual information in psychologic synchronicity. The result of analysis architectural form was that, due to the effect of superposition, the suggestive space appeared, and also caused approach circulation, or according to the present space form, made
the relationship of dynamic angle of view between the present space and suggestive space clear.
Therefore, the phenomenal synchronicity could be used in architecture design, which means that as the unconscious architectural space system, the method which make access to the suggestive space or tendentious movement was accessible.

목차

Abstract
 1. 서 론
  1.1 연구의 배경 및 목적
  1.2 연구의 범위 및 방법
 2. 심리학적 동시성의 전개
  2.1 융의 심리학적 동시성의 등장과 의미
  2.2 현상적 투명성에 따른 심리학적 동시성
  2.3 융의 심리학적 동시성과 건축 공간
  2.4 심리학적 동시성의 건축적 해석방향
 3. 암시적인 시각정보를 통한 동시성의 분석
  3.1 암시적인 시각체계
  3.2 의식에 암시되는 시 지각의 위치파악과 항등성
  3.3 의식을 이루는 작업 기억의 암시적 효과
  3.4 암시적인 시각정보에 따른 동시성
 4. 현상의 동시성을 통한 건축조형 해석
  4.1 중첩된 오브제의 접근성에 의한 공간변화
  4.2 현 공간의 인지를 통한 다음공간의 암시
 5. 현상의 동시성과 건축조형의 의미
  5.1 현상의 동시성과 의식적 운동
  5.2 의식의 시간 : 현상의 파악과 기억된 현재
 5.3 현상의 동시성과 상관적 시간
 6. 결 론
 참고문헌

저자

• 문정필 [ Moon, Jung-Pil | 정회원, 부경대 건축학부 박사수료, 동보건축 대표, 건축사 ] 교신저자
• 김기환 [ Kim, Ki-Hwan | 정회원, 부경대 건축학부 교수, 공학박사 ]

참고문헌