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르 꼬르뷔제 후기 건축의 ‘탈은폐적 이미지 표출’
Image Expression of Disclosure in Le Corbusier's late Architecture

  • 간행물
    대한건축학회연합논문집 KCI 등재후보 바로가기
  • 권호(발행년)
    제9권 제3호 통권 31호 (2007.09) 바로가기
  • 페이지
    pp.1-8
  • 저자
    이승헌
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A54030

원문정보

초록

영어
Heidegger's speculation on "Disclosure" makes it possible to know on image expression fundamentally. "Disclosure" means that the 'earth' and the 'world' are not fixed into one, but harmonize dynamically with each other under continuous mutual tension and mutual support. When they are well-weaved with each other, the two ways are collectively defined as "disclosure Image". In egard to the technique, the study analyzed 'allegory' and 'reactivation'. The former refers to showing image potentially, while the latter means embodying and revealing image apparently. Le Corbusier's late Architecture provides a simultaneous reactivation
of various images through continuous cross-weaving rather than being inclined to either the earth or the world.

목차

Abstract
 1. 서 론
 2. '탈은폐적 이미지 표출‘의 의미
  2-1. 탈은폐
  2-2. 탈은폐적 이미지
  2-3. 탈은폐적 이미지 표출
 3. 르 꼬르뷔제의 사유의 전회
  3-1. 전회의 과정
  3-2. 시화에 담긴 세계관
 4. 르 꼬르뷔제 후기건축의 작품 분석
  4-1. 롱샹성당과 라뚜레뜨 수도원
  4-2. 찬디가르 행정타운
 5. 결 론
 참고문헌

저자

  • 이승헌 [ Lee, Seung-Heon | 정회원, 동명대학교 실내건축학과 전임강사, 공학박사 ]

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      대한건축학회연합논문집 [Journal of the Regional Association of Architectural Institute of Korea]
    • 간기
      격월간
    • pISSN
      1229-5752
    • 수록기간
      1999~2026
    • 등재여부
      KCI 등재
    • 십진분류
      KDC 540 DDC 690