Earticle

초록

영어

As the cognitive subject of translation, the translator reconstructs the source text through translational activity to serve target-language readers. Translator‘s subjectivity requires mediating the relationship between the source author and the target readers, with paratexts as a primary medium. Owing to differences in the cultural backgrounds of the target readership, Park Myeong-ae, the translator of the Korean version of The Republic of Wine, adopts a strategy of “visibility,” exerting translator’s subjectivity by adding paratexts. In contrast, Li Yuanzhe, the translator of the Minwen version, opts for “invisibility,” allowing readers greater imaginative space. The deployment of translator subjectivity through paratexts contributes positively to the transmission of source-culture elements, the construction of character images, and the coherence of contextual logic, while also giving rise to issues such as directional deviation of subjectivity, excessive visibility, insufficient identification of the author’s creative features, and inadequate understanding of the source culture.

목차

Abstract
1. 引言
2. 《酒国》译作内副文本翻译
2.1 内副文本——标题与译凡例翻译
2.2 内副文本——译注翻译
3. 结语
参考文献

저자

• 张雨晨 [ 장우신 | 对外经济贸易大学/ 讲师，对外经济贸易大学朝鲜半岛问题研究中心/ 研究员 ]

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