Earticle

초록

영어

This paper investigates the architecture of Wang Shu, recipient of the 2012 Pritzker Prize, through the theoretical framework of critical regionalism. Focusing on nine projects situated in China’s Jiangnan region—Wenzheng Library, Ningbo Art Museum, Ceramic House, Wusan Room, Sanhe House, Vertical Courtyard, Ningbo Museum, Xiangshan Campus, and Washan Guild Hall—the study analyzes how Wang engages with the area’s distinct climatic conditions, cultural traditions, and philosophical heritage. Jiangnan’s abundance of waterways, high humidity, heavy rainfall, and mild climate have historically shaped a unique architectural tradition, further enriched by local religious and philosophical influences. Wang’s work integrates this regional identity with contemporary architectural expression, producing spaces that preserve the nuances of Jiangnan’s heritage while embodying his signature narrative spatiality. This synthesis of tradition, locality, and modernity is examined through four key dimensions—openness, sense of place, tectonic expression, and sensuousness—revealing the critical regionalism tendencies embedded in his oeuvre.

목차

Abstract
1. 서론
1.1 연구의 배경 및 목적
1.2 연구의 방법 및 범위
2. 선행연구 고찰
2.1 지역주의(Regionalism)
2.2 비판적 지역주의(Critical Regionalism)
2.3 비판적 지역주의의 표현적 특성
3. 연구 대상
3.1 연구 대상 작품의 선정
3.2 강남 지역 건축의 특징
4. 왕슈 건축과 비판적 지역주의적 특징
4.1 문정도서관 (Wenzheng Library)
4.2 닝보미술관 (Ningbo Art Museum)
4.3 자옥(Ceramic House), 오산방(Wusan Room), 삼합택(Sanhe House)
4.4 수직원택 (Vertical Courtyard)
4.5 닝보 박물관 (Ningbo Museum)
4.6 쌍산 캠퍼스 (Xiangshan Campus)
4.7 와산 (Washan Guesthouse)
5. 결론
REFERENCES

저자

• 마홍진 [ Ma, Hongzhen | 정회원, 동아대 건축학과 박사과정 ]
• 이상진 [ Lee, Sangjin | 정회원, 동아대 건축학과 교수, 공학박사, 건축사 ] 교신저자

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