Earticle

초록

영어

With the growing popularity of K-pop, K-pop bands have become increasingly racially and ethnically diverse. However, is the diversity of K-pop bands—referred to as K-pop diversity—genuine? This article addresses this question by examining issues related to race and color and institutional racism within the K-pop industry. The discussion consists of four parts. First, the article visits three framing ideas that guide the article’s analysis, specifically Critical Race Theory (CRT), Koreanness, and neoliberal multiculturalism. Second, it examines the racial and ethnic diversity of K-pop boy and girl groups from 2010 to 2022, highlighting the implications of this trend. Third, it offers a critical analysis of EXP Edition, the first non-Korean K-pop band. Fourth, the article delves into ChoColat, the first mixed-race Korean K-pop band. Through these case studies, the article explores institutional racism, neoliberal ideas of racial diversity, and the notion of Koreanness in K-pop bands. Finally, the article discusses the future of K-pop diversity and K-pop bands regarding multiculturalism.

목차

Abstract
Theoretical Frameworks
Critical Race Theory (CRT)
Koreanness
Neoliberal Multiculturalism
K-pop Bands and K-pop Diversity Since the 2010s
EXP Edition: The First Non-Korean K-pop Group
ChoColat: The First Ethnically Mixed K-pop Band
Conclusion
Bibliography

저자

• Hyein Amber KIM [ An associate teaching professor at the State University of New York at Buffalo. ]

참고문헌