ABSTRACT
Ⅰ. Introduction
Ⅱ. Theoretical Background
2.1. Music Streaming Applications
2.2. Digital Shadow Work (DSW)
2.3. Classification of DSW
Ⅲ. Research Methodology
3.1. Grounded Theory Methodology
3.2. Research Design
Ⅳ. Results
4.1. Open Coding
4.2. Axis Coding
Ⅴ. Discussion and Conclusion
5.1. Discussion of Findings
5.2. Theoretical Implications
5.3. Practical Implications
5.4. Limitations and Future Research Directions