Earticle

초록

영어

Finland's Juhani Pallasmaa criticizes the visual-center trends in contemporary architecture and cities and insists on recovering the human senses through multi-sensory experiences. This study is the interaction of senses based on Pallasmaa's architectural theory and derives three elements for a multi-sensory architectural experience. Using three elements of 'body sensation, body movement, and emotional innerness', analyzed the characteristics of multisensory elements in the works of Peter ZumThor and Kengo Kuma. As a result of the analysis, in the works of the two architects, all or part of the sensory expression elements appear depending on the purpose of the space, or the sensory elements appear in various forms according to the emotional aspects of the East and the West. Therefore, although architectural thinking and the way of expressing works are different, it can be said that they are realizing the architecture of multi-sensory experiences through their own methods. In the end, Pallasmaa and the two architects can be seen as having the same ultimate goal and direction of 'architecture of human multi-sensory experience'. Through this study, Pallasmaa's arguments on the restoration of human sensory abilities were recognized as important, and the experience of multi-sensory architecture should be a goal that modern architecture has overlooked.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구의 범위 및 방법
1.3 선행연구
2. 팔라스마 건축이론의 배경과 특징
2.1 시각중심성 비판과 현대건축
2.2 팔라스마 건축이론의 현상학적 배경
2.3 감각의 상호작용과 건축적 경험
3. 작품사례 분석
3.1 페터 줌토르(1943~)와 작품분석
3.2 쿠마 켄고(1954~)와 작품분석
3.3 소결
4. 결론
REFERENCES

저자

• 김옥영 [ Kim, Ok-Young | 부경대학교 대학원 건축학과 석사과정 ]
• 노지화 [ Roh, Ji-Hwa | 부경대학교 건축학과 교수, 공학박사 ] Corresponding Author

참고문헌