Earticle

초록

영어

This study focuses on the cultural and social context of A Dream Journey to Peach Blossom Spring (Mongyu towŏn to 夢遊桃源圖) the only extant work by An Kyŏn 安堅, the best-known painter of early Chosŏn, to show the manner of its production and function. The painting was a pictorial addition to the sich’uk 詩軸, a mounted scroll of poems, created to praise Prince Anp’yŏng (安平大君) and interpret the significance of his dream in which he visited Peach Blossom Spring, a legendary place invented by the Chinese poet Tao Qian 陶潛. The prince presented a dream record, an accepted literary form at a time when there was a general belief in the prophetic meaning of dreams, and required twenty-one celebrated writers to compose eulogistic poems to accompany the painting, which served as a visual description of his dream. The poets wrote in such a way as to allow the viewer to repeatedly imagine the Peach Blossom Spring. As such, the painting functioned as visual inspiration for the twenty-one writers and became an ornament for their poems. By revealing the process of making the sich’uk and the effect of the dream record, this study re-evaluates the content, style, and composition of A Dream Journey to Peach Blossom Spring.

목차

Abstract
Introduction
Dream Record as a Framework
Prince Anp’yŏng’s Dream
Completion of the Idea: Making a Sich’uk Introduced by a Painting
1. The Sich’uk Scheme
2. Sich’uk Painting
3. Sich’uk Poems
Conclusion
Primary Sources

저자

• KHO YOUENHEE [ An assistant professor in the Academy of East Asian Studies at Sungkyunkwan University. ]

참고문헌