Earticle

다운로드

루이스 칸의‘감탄’의 의미와 그 건축적 구현에 관한 연구 - I. 칸트의‘숭고’관념과의 유사성과 근대성의 실존주의적 의미를 중심으로 -
A Study on a Meaning of L. Kahn`s ‘Wonder’ and its Architectural Expression - Focused on a Similarity between I. Kant’s ‘Sublime’ and an Existential Meaning of Modernity -

  • 간행물
    대한건축학회연합논문집 KCI 등재 바로가기
  • 권호(발행년)
    제23권 제1호 통권 101호 (2021.02) 바로가기
  • 페이지
    pp.121-128
  • 저자
    송나은, 오장환
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A390660

원문정보

초록

영어
This study focuses not only on their similarity between I. Kant's ‘sublime’ and L. Kahn's idea ‘wonder’ but also on their architectural expressions. For this, the philosophical background of the ideas and significances of Kahn's architectural idea are discussed. Ultimately, this study finds that the ‘sublime’ is substituted to Kahn's ‘wonder’ and that the architectural characteristics such as 1) a large size, 2) a light as a natural light, 3) a resistance of construction clearly revealed, and 4) an exposure of material are strongly expressed in Kant's architecture. To sum up, his architectural meanings and properties are summarized as follows. Firstly, Kahn designs to make an observer encountering an unpredictable space feel ‘a wonder’ especially by emphasizing a space locating a relatively intended ‘Huge’ size and phase especially in central spaces. Secondly, he intends through his bring the natural ‘Light’ into the inner space in various ways such as skylights and side-top windows to capture the time infinite, ultimately to capture the changing of the time and seasons finally for a feeling of the ‘sublime-wonder’. Thirdly, he draws an emotion of ‘sublime’ out by using an unpredictable, evident, and simple structure as a resistance. Finally, he intends by revealing the nature of materiality to create an elevated feeling, and ultimately to feel its meaning of the existence. As a result, Khan successfully accomplishes again a restoration of the architectural essentiality as so-called ‘monumentality’ as well as showing the spirit of modernity so-called ‘creativity’.

목차

Abstract
1. 서론
2. ‘숭고’ 의 역사적 흐름과 I.칸트의 관념
2.1 18세기를 전후한 미의식의 커다란 변화
2.2 칸트의 ‘숭고’ 관념
3. 칸트의 ‘숭고’와 칸의 ‘감탄’의 유사성
3.1 인간 이성으로서 숭고에 대한 칸의 사유
3.2 부정적 현시로서의 숭고에 대한 칸의 사유
3.3 ‘숭고’ 관념과 건축
4. 칸의 ‘숭고-감탄’ 관념의 건축적 구현
4.1 수학적 숭고 – 절대적으로 큰 것
4.2 수학적 숭고 – 자연광으로서의 빛
4.3 역학적 숭고 – 구축의 저항
4.4 역학적 숭고 – 재료의 드러냄
5. 결론
REFERENCES

저자

  • 송나은 [ Song, Na-Eun | 부경대학교 대학원 건축학과 석사과정 ]
  • 오장환 [ Oh, Zhang-Huan | 부경대학교 건축학과 교수, 공학박사 ] Corresponding Author

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      대한건축학회연합논문집 [Journal of the Regional Association of Architectural Institute of Korea]
    • 간기
      격월간
    • pISSN
      1229-5752
    • 수록기간
      1999~2026
    • 등재여부
      KCI 등재
    • 십진분류
      KDC 540 DDC 690