Earticle

초록

영어

This study focuses on reinforcement agents for wall damage, such as cracks, breakage, or delamination, for mural paintings from the Payathonzu temple. Experiments were conducted with filling and grouting agents based on the reinforcing method. In the filling reinforcement experiment, different mixing ratios of lime to sand, and additives (jaggery, seaweed glue, and Primal SF-016) were used. In the grouting reinforcement experiment, the mixing ratio of lime and pozzolan was the same, and the additive types were identical to the filling reinforcement experiment. The filling reinforcement experiment showed that there were fewer physical changes such as contraction, with a greater mixing ratio of lime to sand, however, the compressive strength decreased as the mixing ratio increased. With additives, the change in volume of agent decreased and the compressive strength increased, which was especially prominent for jaggery and Primal SF-016. The grouting reinforcement experiment showed that there was a remarkable contraction with an increased amount of moisture that originates from the characteristic of grouting agents that requires flowability. With additives, the water content of the agent decreased, whereas the compressive strength and adhesion increased. Among the additives, Primal SF-016 exhibited the highest compressive strength, and seaweed glue exhibited the most considerable viscosity and adhesion. The study results showed that the characteristics of reinforcement agents vary according to the mixing ratio and additives of the filling and grouting agents. Therefore, it is necessary to selectively apply the mixing ratio and additives for different reinforcement agents considering the wall damage for conservation treatments.

목차

ABSTRACT
1. INTRODUCTION
2. MATERIALS AND METHOD
2.1. Materials for experiments
2.2. Sample production
2.3. Evaluation methods
3. RESULTS AND DISCUSSION
3.1. Filling reinforcement agent experiment
3.2. Grouting reinforcement agent experiment
4. CONCLUSION
REFERENCES

저자

• Na Ra Lee [ Institute of Conservation of Paintings, Konkuk University, Chungju 27278, Korea ]
• Hwa Soo Lee [ Institute of Conservation of Paintings, Konkuk University, Chungju 27278, Korea ]
• Kyeong Soon Han [ Institute of Conservation of Paintings, Konkuk University, Chungju 27278, Korea ] Corresponding Author

참고문헌