Earticle

초록

영어

The purpose of this study is to analyze the morphological and functional characteristics of horizontal bands expressed in the UNStudio office projects’ façade. For the analysis of this study, it identifies the morphological and functional characteristics of horizontal bands appearing in Mercedes-Benz Museum, and office projects planned for the period similar to those of Mercedes-Benz Museum (1999~2000). Based on this prior investigation, the plasticity of horizontal bands in the office projects after Mercedes-Benz Museum is derived in terms of morphological and color features. In addition, the functions contained in this horizontal band shape and the link to sustainability are analyzed. The conclusion is that the horizontal bands that appear in the UNStudio's office projects can be viewed in their architectural elements and languages based on various references and case studies. UNStudio embodies its design philosophy and identity as an architect through the horizontal band’s design expressed in facade rather than the entire building form itself. The horizontal bands appearing on the UNStudio's office facade give a formative meaning to functionality in terms of health and well-being for users.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구범위 및 방법
2. 선행연구 분석 및 유엔스튜디오 수평성 탐구
2.1 선행연구 분석
2.2 유엔스튜디오의 건축 어휘와 수평성
2.3 수평 밴드 특성 분석 요소
2.4 메르세데스-벤츠 박물관에 나타나는 수평 밴드의 조형성과 기능성
3. 초기 업무시설 프로젝트에 나타나는 수평 밴드의 조형성과 기능성(1995~2000)
3.1 초기 업무시설에 나타나는 수평 밴드의 조형성
3.2 초기 업무시설에 나타나는 수평 밴드의 기능성
4. 메르세데스-벤츠 박물관 이후 업무시설 프로젝트에 나타나는 수평 밴드의 조형성과 기능성(2001~)
4.1 업무시설 사례 개요
4.2 2001년 이후 업무시설에 나타나는 수평 밴드의 조형성
4.3 2001년 이후 업무시설에 나타나는 수평 밴드의 기능성
4.4 소결
5. 결론
REFERENCES

저자

• 고성학 [ Ko, Sung Hak | 영남대학교 건축학부 조교수, 건축학석사, 미국건축사 ] Corresponding Author

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