Abstract
요약
1. INTRODUCTION
2. THEORETICAL BACKGROUND
2.1 Full Animation
2.2 Limited Animation
3. DIFFERENCE IN THE PRODUCTION METHOD OF U.S. LIMITED ANIMATIONS AND JAPANESE LIMITED ANIMATIONS
4. DISNEY’S 12 PRINCIPLES OF ANIMATION
4.1 Squash and Stretch
4.2 Anticipation
4.3 Staging
4.4 Straight Ahead Action and Pose to Pose
4.5 Follow and Through and Overlapping Action
4.6 Slow In and Slow Out
4.7 Arcs
4.8 Secondary Action
4.9 Timing
4.10 Exaggeration
4.11 Solid Drawing
4.12 Appeal
5. ANALYSIS OF ANIMATION MOVEMENTS
5.1 U.S. Limited animations
6. CONCLUSION
REFERENCES