Earticle

초록

영어

The purpose of this paper is to study the relationship between Dziga Bertov's theory of intervals, and Bernard Tschumi's methodology of architectonic in contemporary architecture. This will provide many interesting perspectives on the intentions and methodologies of each genre, and will further enrich the understanding of each parts. This study analyses these two theory through philosopher, Jacques Lacan's desire theory to represent unconsciousness as an indicator of human behavior. Firstly, Bertov emphasized two features of perception from the viewpoint of camera. The camera's gaze not only gained some sort of autonomy, but also thought that it could provide numerous possibilities for the change of time, so that it could acquire the autonomy of the line of sight. Secondly, because architectectonic exhibits a very similar structural process to the weaving of language structures, it is important to explore not only the visible form of linguistic structure but also the psychiatric mechanism that trespass from the unconsciousness. Such contents means that beyond the form of simple architectonic, there will be an expanding area where the causes and methodologies generate the architecture and also there will be the underlying forces that produce architectural representations (expression, spatial atmosphere, interior space). Finally, Tschumi is showing successful fantastic images of the whole time and space by trans-programming and placing them as in the cross-editing methodologies.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구범위 및 방법
2. 베르토프 간격이론과 건축적 가능성
2.1 베르토프의 배경과 러시아 구성주의
2.2 베르토프 영화의 간격 이론
2.3 간격이론의 기법
3.라캉의 욕망이론과 간격(틈)의 이론
3.1 간격을 통한 욕망의 드러남과 건축구축적 암시
3.2 라캉의 실재계와 대상a, 향유의 개념
3.3 간격이론과 에로티즘
4. 츄미의 영화적 간격 구축방법론(tectonic)
4.1 츄미 건축에서 사이(틈)의 욕망의 발현 특성
4.2 맨하탄 스크립트의 영화적 구축방법론
4.3 간격이론의 건축구축방법론 기법
5. 결론
REFERENCES

저자

• 정진석 [ Jeong, Jin-Seok | 부경대학교 대학원 건축학과, 석사과정 ]
• 임기택 [ Lim, ki-Taek | 부경대학교 건축학과 부교수, 공학박사 ] Corresponding author

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