Earticle

초록

영어

This study is to identify how sensual perception occurs according to the Adolf Loos’s gender cognition in the interior space of Adolf Loos's residential space and to examine its characteristics. For the study, 16 works are selected, with literature and images to identify finish material properties. The research was conducted by organizing the meaning of cladding and dwelling which are the main concepts of Loos, and then examining the sensual perception characteristics of Loos's apartments and houses at a visual and tactile level with his gender cognition. The results are as follows: 1) The architectural ideas of Adolf Loos also show these characteristics. His cladding theory assumes masculine outer walls and feminine indoors. This is accomplished by spatial experience by sensory perceptual elements. 2) He set a symmetrical visual axis in the public rooms. And limitations of the viewing angle using devices that can weaken the visual axis - such as setting back, discordance of accessing axes, and reflection by a mirror. This is considered to be a setting for arousing senses other than vision. 3) On this basis, Loos defined the gender properties of the cladding materials through the degree of rigidity, color and texture. After that, the masculine material and the feminine material were integrated by reinterpreting the properties of the space and the characteristics of the user. This is the nature of the architectural representation of the unification of masculinity and femininity that was developed at that time.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구의 대상 및 방법
2. 아돌프 로스의 건축사상과 젠더 인식
2.1 19세기 말 비엔나의 사회상과 여성인식
2.2 아돌프 로스의 피복론과 감각지각의 강조
2.3 아돌프 로스의 젠더 인식과 한계
3. 주거 내 젠더의식의 감각지각적 표현
3.1 시지각의 활용과 역할
3.2 빛의 촉각적 전환과 내밀성의 구축
3.3 젠더 인식의 시각적 적용
3.4 피복 재료의 젠더 규정
3.5 촉각 지각을 통한 젠더 인식의 재현
4. 결론
REFERENCES

저자

• 김훈 [ Kim, Hoon | 경북대학교 건축학과 조교수, 공학박사 ] Corresponding Author

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