Earticle

초록

영어

The purpose of this research was influenced by the historical background of Japanese modern architecture by the circulation of Kuma Kengo's architectural works and he wanted to look at the values and directions he was pursuing and how they were expressed in his works. The results of the review are summarized as follows. First, metabolism was developed as a reaction of modernism in modern architecture, focusing on growth through infinite reproduction by looking at architecture and cities as organisms and by using unit space as cells. Kuma Kengo, on the other hand, argues that focusing on the possibility of decimation of unit members by sequencing the elements that make up the space smaller than the unit space is closer to an ecological architecture. Second, what Kuma Kengo says is "erase the architecture" that is naturally related to the environment and disappears when its use is exhausted. His argument is expressed in individual architectural works through 'visual erase', 'particle painting of materials' and 'independence through dependency.' Through this, Kuma Kengo's ecological architectural languages were influenced by the ecological causes of metabolism, but they differed from the perspective of seeing architectural circulation as an organism. If metabolism was intended to realize circulation with growth potential based on the module of unit space, Kuma Kengo sought to implement circulation with the extinction of the unit members of space.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구범위 및 방법
2. 메타볼리즘 운동과 순환성
2.1 메타볼리즘 운동의 역사와 특성
2.2 메타볼리즘 운동의 순환성 개념 분석
2.3 순환성에서의 소멸의 특성
3. 쿠마 켄고 건축의 생태적 특성
3.1 쿠마 켄고의 이력과 건축적 성장배경
3.2 쿠마 켄고의 건축언어와 표현특성
3.3 쿠마 켄고의 생태적 변화의 사유
3.4 메타볼리즘과 쿠마 켄고의 순환성에서의 차이점
4. 쿠마 켄고의 건축의 순환성 분석
4.1 순환과 소멸의 건축사유
4.2 소멸의 건축적 표현양상
4.3 소결
5. 결론
REFERENCES

저자

• 이재원 [ Lee, Jae-Won | 부경대학교 대학원 건축학과, 석사과정 ]
• 임기택 [ Lim, Ki-Taek | 부경대학교 건축학과 부교수, 공학박사 ] Corresponding author

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