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『風につれなき』における姫君像のー考察 - 自分で幸せをつかんでいく逞しい姿を中心として -
A Study on a Heroine's Figure(像) Shown in Kajeni Tsurenaki : Focusing on the Stout-hearted Woman who Pursues Happiness by Herself

  • 간행물
    일본학 KCI 등재 바로가기
  • 권호(발행년)
    제44집 (2017.05) 바로가기
  • 페이지
    pp.133-146
  • 저자
    金明珠
  • 언어
    일본어(JPN)
  • URL
    https://www.earticle.net/Article/A311047

원문정보

초록

일본어
中世王朝物語の女主人公の人物像は、先行物語の人物像を導入しながらも、時代相の変転により強く逞しい女君の姿で描かれており、書き変えられているとも考えられる。 本稿では、『風につれなき』におけるこの独自的な姫君像に着目し、姉妹との友愛をめぐり、未婚のまま自分の決めた道を歩む姫君の逞しさ、また、天皇の母代わりになって女院となる点について検討し、この物語における姫君像について考察を行うことにする。 『風につれなき』の主人公である姫君は、我が身の生と引き換えに母を失い、姉中宮に先立たれ、父関白の出家によりまさに孤児同然の境遇となっている。しかし、この姫君は、父関白の出家などの不幸な状況を逞しく克服し、また、結婚を拒否、独り身を通して女院となる。そして、父の訓戒を守って男達の熱心な求愛を拒み通し、姉の故中宮が残した若宮を愛育しながら、一生、自分の決めた道を逞しく歩むのである。この点は、時代社会の変貌が各物語の主人公設定に影響を与えているからであると思われる。 特に『風につれなき』の姫君は、内親王ではなく藤原氏の女性が后位を経ないで女院となり、また、その女院が一生を未婚のままですごす。物語の中で、女主人公が得る最高の名誉といえば、女院になることだと思われる。『風につれなき』の姫君が自分の決めた道を歩み、女院になる点は、男と関わる事で心ならずな生き方をした、過去の多数の女性達を救い助けようとする試みであるのではないだろうか。この物語は一人で生きる逞しい女院の姿に発展させ、新しい女院像を現していると考えられる。 従って、中世王朝物語における姫君像が自分から恋を仕掛けるような積極的な性格や、男君に頼らず自分で幸せをつかんでいくような逞しい姿で描かれている点は、平安時代物語と異なる大きな特徴の一つであると言えよう。
영어
The heroine's figure in Monogatari of the Middle Kingdom is thought to introduce precedent Monogatari's figures to it and at the same time, be described as a strong and stout󰠏hearted Himegimi by changing her image according to changes of the times. This paper studied a heroine's figure shown in a story, Kajeni Tsurenaki by reviewing toughness of the heroine who keeps taking steps toward her goals being close to her elder sister and being single and the point that she becomes Nyoin as a role in being a mother of an emperor based on the independent Himegimi's image shown in it. Himegimi, the heroine of this work of art finally gets to be faced with being a person like an orphan as she lost her mother as soon as she was born, Junggung who is her elder sister passed away, and his father who is Gwanbaek became a Buddhist. However, she overcomes her unhappy situation bravely, rejects her marriage, and becomes Nyoin by insisting on the single person. And she refuses to receive men's passionate love for her to the end by keeping her father's discipline, brings up Wakamiya that late Gungjung who is her elder sister left, and keeps taking steps toward her goals during life. This point is thought to occur because changes of the times and society have an effect on creation of the characters in each story. Especially, in case of Himegimi in this work of art, a women by the name of Fujiwhara, not the princess is a feature of becoming Nyoin being single without being an empress' position. The loftiest post of honor that a heroin gets in Monogatari literature is thought to be Nyoin. The point that Himegimi becames Nyoin keeping taking steps toward her goals was an attempt that she tried to save and help many women who had to live their lives that they did not want because of the relationships with men, isn't it? This story is thought that a new Nyoin's figure is presented by developing the stout-hearted Nyoin who lives alone. Therefore, the point that Himegimi of the Monogataris in the Middle Kingdom is described as the stout󰠏hearted woman who pursues happiness by herself not relying on men with her enthusiastic character to start love first can be one of the different characteristics from Monogatari in the Heian period.

목차

1.はじめに
 2.姉妹の友愛
 3.姫君の逞しさ
 4.「女院」について
 5.おわりに
 参考文献
 References
 要旨
 ABSTRACT

저자

  • 金明珠 [ 김명주 | 경기대학교 평생교육원 관광계열 주임교수 ]

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      일본학 [The Ilbon-Hak(Journal of Japanology)]
    • 간기
      연3회
    • pISSN
      1598-1134
    • eISSN
      2713-7309
    • 수록기간
      1981~2026
    • 등재여부
      KCI 등재
    • 십진분류
      KDC 913 DDC 952