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일본 아마와 관광 : ‘전통적’ 잠수복인 이소기의 상징성
Tourism and the ama : Symbolism of ‘traditional’ diving suits

  • 간행물
    일본학 KCI 등재후보 바로가기
  • 권호(발행년)
    제34집 (2012.05) 바로가기
  • 페이지
    pp.183-211
  • 저자
    유철인
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A274921

원문정보

초록

영어
Like Jeju haenyeo, ama in Japan are professional female divers who dive without breathing apparatus and gather marine products underwater. The ama dove wearing only loincloths before they wore the white cotton suits called isogi. The time frame in which they began to wear the isogi varied according to the period when tourists began to visit their villages. The ama in Shima Peninsula wore the isogi in the 1920s as they became the main tourist attraction. As the ama began to wear wetsuits in the 1960s throughout Japan, the isogi became 'traditional' diving suits that nowadays they do not wear when gathering marine products underwater. When they dive to catch the abalone for the gods as part of the traditional sacred festivals, however, Shima ama wear the white isogi over the black wetsuits. Wearing the white isogi, the diving women in Mikimoto Pearl Island of Shima Peninsula demonstrate free-diving without breathing apparatus to visitors. These demonstration divers in the tourism industry exhibit the image of a sexy, while-clad ama that appeared on the tour posters during the 1960s and after, as well as the imagery of the ama as pearl divers. The ama at Gosode in the northern part of the main island of the Japanese Archipelago have been showing their free-diving skills without breathing apparatus, which are called sumoguri, to tourists during the season of sea-urchin (July to September) since 2010. Even though they usually dive wearing the wetsuits, they wear the isogi, which were last officially worn around 1960, when they show their sumoguri to tourists. The isogi associated with the past or the tradition have attracted tourists in Shima and Gosode. Since the isogi show the sexual image of the ama as well as the tradition of free-diving, tourists eagerly consume both.

목차

1. 머리말
 2. 이소기의 등장과 아마의 이미지
 3. 잠수작업과 관광
 4. 맺음말
 참고문헌
 ABSTRACT

저자

  • 유철인 [ Yoo Chul-In | 제주대학교 인문대학 철학과 교수, 문화인류학 전공 ]

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      일본학 [The Ilbon-Hak(Journal of Japanology)]
    • 간기
      연3회
    • pISSN
      1598-1134
    • eISSN
      2713-7309
    • 수록기간
      1981~2026
    • 등재여부
      KCI 등재
    • 십진분류
      KDC 913 DDC 952