Earticle

초록

영어

A significant number of museums in Korea make use of replicated artifacts in their displays, regardless of the emphasis that is put on the importance of showing original heritage artifacts. By looking at examples of replicated artifacts in Korean national museums, this article attempts to assess the relevancy (or irrelevancy) of having authentic objects in museum displays, as opposed to contemporary replicas of these artifacts. The curation of Korean art and culture is approached from the perspective of reality or a ‘felt past’ that visitors are able to experience in museum exhibitions. Although the original and the replicated object are intrinsically different, the influence replica display has on visitor experience and display integrity varies according to the expectations and goals of viewing of the observing party.

목차

Abstract
 1. INTRODUCTION
  Longing for the real thing
  The NMK and authenticity in displays
 2. APRROACHING MUSEUMS AND CULTURAL HERITAGE IN KOREA
 3. CLOSE ENCOUNTERS-MY FIRST REPLAICA
  Objects connecting the nation
 4. DEJA VU-THERECONSTRUCTED TOMB OF KING MURYONG AT KONGJU NATGIONAL MUSEUM
 5. THE MARGINS OF AUTHENTICITY-DOES SEEING LEAD TO BELIEVING?
  Authorized facsimiles : Korean celadon in the Netherlands
 6. CONCLUSION
  Outlines of heritage in the landscape
 EPILOGUE
 REFERENCES

저자

• ELMER VELDKAMP [ Research Associate Korea Collections, National Museum of World Cultures, Leiden, The Netherlands. ]

참고문헌