Abstract
I. INTRODUCTION
II. THE EMERGENCE AND RECEPTION OF THE NEW WOMAN IN KOREA
III. THE NEW WOMAN AND THE CULTURAL NATIONALIST MOVEMENT OF THE 1920s
IV. “POISON RUNNING THROUGH HER VEINS”: THE IMAGE OF A NEW WOMAN, KIM MYŎNGSUN
V. THE POLITICS OF CONFESSION : A SELF-PORTRAIT OF A NEW WOMAN IN KIM MYŎNGSUN’S SHORT STORY
VI. CONCLUSION
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