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태권도 품새경기의 미적체험 구조
Structure of Aesthetic Experience in Taekwondo Poomsae Competition

  • 간행물
    한국스포츠학회지 KCI 등재후보 바로가기
  • 권호(발행년)
    제12권 제1호 (2014.03) 바로가기
  • 페이지
    pp.143-151
  • 저자
    안진영, 안근아
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A217793

원문정보

초록

영어
The current sport has been required to go with the media. This relationship should be formed properly by understanding the structure of demand and supply, and the directional suggestion for this will be available through the study based on aesthetics. In order to do this, providing attraction and fun elements in a Poomsae competition are required, and the other evaluating items should be added based on the structure revealed aesthetic experience in the future. Furthermore, the evaluation should be in a direction to focus on a full understanding and knowledge of basic principles and methods for a movement in a Poomsae competition. However, the current rules of Poomsae competition emphasize only the very represented parts. Therefore, the evaluation should be made by subdividing structural items of aesthetic experience and suggesting the explanation about specific methods and tacts. If the universal validity is suggested with features that appear in a Poomsae competition based on aesthetic experience about the expressions of player's Poomsae movement, it will mean a lot to show the direction of more objective game rules. The core structures that reveal aesthetic experience in a Taekwondo Poomsae competition for this can be seen as; firstly, mimesis, secondly, making own movement, thirdly, Arete revelation, fourthly, the extreme beauty of the body, fifthly, martial art, sixth, artistry. Furthermore, the new establishment of evaluating items according to the congruence of the meaning of Poomsae and movement expressed by a player would have an important meaning. Thus, the study on assessment details of each items should be made continuously in the future.

목차

Ⅰ. 서론
 Ⅱ. 품새경기의 미적 관점 변화(역사적 서술)
  1. 품새경기의 초창기
  2. 품새경기의 현재
 Ⅲ. 품새경기의 미적체험 구조
  1. Mimesis(모방)
  2. 동작의 자기화
  3. 아레테의 발현
  4. 신체의 극치미
  5. 무도성
  6. 예술성
 Ⅳ. 결론 및 제언
  1. 결론
  2. 제언
 참고문헌
 ABSTRACT

저자

  • 안진영 [ Ahn, Jin-Young | 한국체육대학교 ]
  • 안근아 [ An, Geun-A | 한국체육대학교 ]

참고문헌

자료제공 : 네이버학술정보

    간행물 정보

    • 간행물
      한국스포츠학회지 [The Korea Journal of Sport]
    • 간기
      계간
    • pISSN
      1738-3250
    • 수록기간
      2003~2026
    • 등재여부
      KCI 등재
    • 십진분류
      KDC 692 DDC 796