Earticle

초록

영어

In this article, I am concerned with the dynamics of self among North Koreans, in conjunction with their predicament of being under constant surveillance. To the outside world, the public behavior of North Koreans counts as one of the most puzzling aspects of the reclusive state, while many observers of North Korea point to a “real face” or “pure heart” behind the theatrical “public face” among North Koreans. Based on ethnographic interviews with visitors to North Korea and North Korean refugees, I explore the interweaving relations between the opposing modes of North Koreans’ selfpresentation: a theatrical “public face” and a non-theatrical “pure heart.” I argue that however contrasting they seem, the two modes of self-presentation are in support of, rather than in opposition to, each other for the purposes of the state. Exploiting the cultural notions of public and private and mind-heart, the North Korean state strives to make the face and the heart one and the same in piousness and loyalty. Yet the dramaturgical outlook of North Koreans begs a serious question as to the success of ideological indoctrination when an effort is made to co-opt the mind-heart of a people in the service of state sanctity.

목차

Abstract
 INTRODUCTION
 DATA COLLECTION
 PUBLIC FACE, RITUAL TRUTH, AND SURVEILLANCE
 PURE HEART, UNMASKED FACE, AND SOCIABILITY
 POLITICAL INDOCTRINATION, MATTERS OF THE HEART, AND THE THEATRICALITY OF FACE
 THE PUBLIC AND THEATRICALITY IN NORTH KOREA
 CONCLUSION
 REFERENCES

저자

• HYANG JIN JUNG [ an associate professor in the Department of Anthropology at Seoul National University, Korea. ]

참고문헌