Earticle

초록

영어

A good poem always opens a new horizon. The poem showing an open horizon never falls in absolute egoism or solipsism. As a poem is to have a structure of horizon, time and place can create the world filled with sense. It is to use sense, such as hearing and touch, as well as sight, to see all the aspects. We often have a prejudice or fixed idea of seeing. Seeing mean feeling the sense about everything in general before dominating and controlling something. As one sees an object and a world with eyes, it is considered as a sense before composition and concept. Seeing always includes horizon, and it makes the world exist as possibility. If a poem is filled with sense, the horizon is not considered as concept. It says ‘Thinking can keep drawing rechargeable power from sensible world’ Michel Collot, translated by Jung Seon-Ah, 󰡔La poesie moderne et la structure dhorizon󰡕(Moonji Publishing Company, 2003, p14). The thought ‘now here’ is too old and tired. Poetic thought, so to speak, poetic imagination and expression are also too old and tired. Fundamentally poetic thought should rise from sense. Since the poetic expression is impossible without language, it can’t get out of concept and idea. However the poetry will have to show comments on the current and horizon in the phenomena filled with sense. Finally it’s the poets who conjure up ‘touch and sight’ or ‘color and scent’ hidden in this world, give them names and move them, so that they can be left as small wave in the horizontal structure.

목차

1. 존재란 무엇인가?
 2. 몸과 감각덩어리로서의 세계
 3. 감각과 언어 사이의 거리
 4. 시의 지평, 지평으로서의 시
 참고문헌
 Abstract

저자

• 이재복 [ lee Jae-bok | 한양대 에리카캠퍼스 한국언어문학과 교수 ]

참고문헌