Earticle

초록

영어

The signs of new literature appeared in earnest in the history of Korean literature in 1990’s. They are inherent in the literature in 1990’s, making a discussion about ‘ugliness’ possible, which is beyond or different with existing beauty. As the ‘indifferent pleasure’ is made by sense in the history of beauty, the ‘disgusting displeasure’ is also made by sense in the history of ugliness. The Korean literature in 1990’s or after 1990’s has established its differentiated identity from former ages through latter one. The representative writers showing the latter tendency are Jang Jeong-Il, Pyeon Hae-Young, Kim Eon-Hee, Baek Min-Seok, and Cheon Woon-Young at that time. It may be a coincidence, but it is interesting that Jang Jeong-Il shows the world of ugliness with sight, Pyeon Hae-Young with smell, Baek Min-Seok with hearing, and Cheon Woon-Young with taste. As the history of ugliness says, the sense they show causes disgusting displeasure. However at the same time, they have mysterious charm attracting us strongly, because they arouse allegoristic and paradoxical meaning about reality here and now inside the attraction. In this respect, the appearance of various senses and the beauty of ugliness shown in those writer’s works are not a coincidence, but the historical product made naturally in the current of times since 1990’s

목차

1. 1990년대 이후 한국문학의 추와 감각
 2. 케리커쳐적인 상상력과 형식적인 추
 3. 시체의 출몰과 그로테스크한 추
 4. 율려의 해체와 악마적인 추
 5. 육식의 본능과 동물적인 추
 6. 추의 역사와 그 전망
 참고문헌
 Abstract

저자

• 이재복 [ Lee, Jae－Bok | 한양대 한국언어문학과 교수 ]

참고문헌