Earticle

초록

영어

Popularity and diversity are coexisting in contemporary times. It looks like ironic because the former is a large-scale and the latter is a small-scale. But, actually, things are working in this way. Architecture is social products, so contemporary architecture cannot be excepted, as well. Modern architecture in Korea also persues popularity and variety. The negativism of traditional heritage properly accommodated this ironic phenomenon. In other word, Emptiness. There is a group who forms Emptiness as an architectural discourse. It is 4.3 group. Emptiness has been discoursed and formed a tidal current of Korean contemporary architecture, but infinitesimal in a critical analysis on the 'Emptiness'. This research aims we are going to re-build this emptiness by using Spinoza's theory of modes.

목차

Abstract
 1. 서론
 2. 한국 현대 건축과 비움 공간의 전개
  2.1 비움 개념의 등장
  2.2 비움의 담론화와 정립
  2.3 비움 개념의 전환
 3. 비움 공간에 대한 비판적 분석의 틀
  3.1 현대 비움 공간의 의미
  3.2 비움 공간에 대한 비판적 분석을 위한 이론적 전제
 4. 건축적 실례 분석
 5. 결론
 참고문헌

저자

• 이상림 [ Lee, Sang-Lim | 부산대학교 대학원 석사과정 ] 교신저자
• 이동언 [ Lee, Dong-Eon | 부산대학교 건축학과 교수, 건축학 박사 ]

참고문헌