Earticle

초록

영어

This article analyzes the effectiveness of classical music diplomacy toward the DPRK as seen in the New York Philharmonic visit of 2008. After contextualizing the role of the symphony orchestra with reference to North Korea and engaging with some questions of theory and orchestral program, the article goes on to suggest that popular music, specifically rap music, is likely to have a much more lasting impact in the DPRK. As such, the article enters into debates about North Korean cultural identity, U.S. foreign policy (particularly “soft power” directed at the DPRK), and musical practices on the Korean peninsula.

목차

INTRODUCTION
 CLASSICAL MUSIC DIPLOMACY
 POP MUSIC AND POST-REVOLUTIONARY IDENTITY
 CONCLUSION

저자

• ADAM CATHCART [ University of Washington Tacoma ]

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