Earticle

초록

영어

The purpose of this study is to consider in what kind of method the substantive image of architecture is being reacquired in the modern architecture. The image was lost due to the transparency caused with the material attributes of glass. Accordingly this study attempts to understand the visual properties of glass through the attempts on the architectural possibility of glass having appeared on the stage as a material representing modern architecture and to consider the material processing and deformation process of glass formed contrarily in the modern architecture for the visual recognition, from the viewpoint of visually substantive loss of architecture resulting from the transparency. This attempts to consider the substantive restoration of the visual image of architecture having been lost in the expression of infinite space, spatial property of modern architecture which the transparency of glass has. For this, this study will consider the attempts to get over the visual limit of glass through the methods of the visual feel of a material and surface twisting with the center of works by Herzog & de Meuron having shown their visual substance.

목차

Abstract
 1. 서론
  1.1 연구의 배경 및 목적
  1.2 연구의 범위 및 방법
 2. 시각적 실체와 투명성
  2.1 건축 외면과 시각적 인식
  2.2 유리건축의 한계 - 시각적 투명성
 3. Herzog & de Meuron의 건축세계 - 표면에 대한관심
 4. 가시적 실체 - 반투명성
  4.1 시각적 질감
  4.2 면 비틀기 - 반사
 5. 결론
 참고문헌

저자

• 이병욱 [ Lee, Byung wook | 동의과학대학 실내건축과 부교수, 공학박사 ] 교신저자
• 최임주 [ Choi, Im-Joo | 동의대학교 공과대학 건축학과 부교수, 공학박사 ]

참고문헌