Earticle

초록

영어

The purpose of this study is to understand the meaning of Louis I. Kahn's “"Form”" drawing, in which his principal thought is immanent, through a detailed analysis of his sketches and writings of the Yale Center for British Arts. The basic form is the organization of the plan around two courts and it is expressive of the dual nature of the program. The basic form is maintained through the whole design process and it also plays an important role in controlling the relationship between program requirements and formal transformations. It is derived from the consideration of the human activities in the museum and it is based on the idea that this museum would create the intimate relationship between visitors and the works of art.

목차

Abstract
 1. 서론
  1.1. 연구의 목적 및 의의
  1.2. 연구범위 및 방법
 2. 예일 센터의 건립배경 및 주요연혁
  2.1. 건립 배경과 설계 프로그램
  2.2. 주요 건립 연혁과 위치
 3. 예일 센터의 단계별 계획안
  3.1. 첫 번째 계획안(1969년 12월~1970년 10월)
  3.2. 두 번째 계획안(1970년 11월~1971년 4월)
  3.3. 세 번째 계획안(1971년 5월~1972년 7월)
 4. 결론
 참고문헌

저자

• 오광석 [ Oh, Kwang-Suek | 한국해양대학교 해양공간건축학부 조교수 ] 교신저자
• 전영훈 [ Jeon, Young-Hoon | 중앙대학교 건축학부 조교수, 공학박사 ]
• 안웅희 [ Ahn, Woong-Hee | 한국해양대학교 해양공간건축학부 조교수, 공학박사 ]

참고문헌