Earticle

초록

영어

No one would deny that, despite the fact that they are the central factor in any given communication system, language signals have their limitations. For example, language cannot keep up with the radical changes that occur in the world and its ideas. The present meaning of a language signal is always pegged to the past when it was originally created. This limitation in turn puts limitations on the way we conceive of the world, and we have no choice but to watch the world through the refracted, darkly colored lens called language. Lee Sang′s was well aware of these limitations, and his works reflect his suspicion of language. This paper argues that Lee Sang′s "Ogamdo 1" is a poetic commentary on the ambiguity of language signals; that "Ogamdo 2" is an accusation of the stationary nature of language signals; ; and, finally, that "Sune-kwanhan-gakseo (Treatise on Lines) 7" is a poetic expression of Lee Sang′s negative view of the symbolic limitation of, and the fragmentary nature of, language signals.

목차

1. 기호란 무엇인가
 2. 오감도 <시제1호>와 언어 기호의 중의성
 3. 오감도 <시제3호>와 언어 기호의 정태성
 4. <선에관한각서7>과 언어 기호의 상징성과 분절성
 5. 결언
 인용문헌
 abstract

저자

• 오정란 [ (광운대학교) ]

참고문헌