The modern play is going through a change that is differentiating it from the plays of yesterday. The importance of narration through language, specifically that of words spoken on stage as a means of communication is being replaced by images and minimalism of words. The narration that depended on spoken words today depends more on the images that are conjured on stage. This movement shows also the very development of stage and its craft in the domain of theater and especially holds true in the avant-garde theaters of today. The avant-garde theater, in trying to duplicate the reality does not confine itself to oratory rhetorics that we see in the traditional plays of the past but expresses itself by mimicking the reality to the utmost possible.
목차
Ⅰ. 들어가는 글 Ⅱ. 논점과 과제 1. 어디서부터 발달하였나? 2. 언어의 위기란 관연 무엇을 칭하는 것인가? 3. 현대공연에서 과연 언어의 위기라고 정의되는 것이 무엇이며, 그 개념적 근거는 무엇인가? Ⅲ. 맺음말 참고문헌 [Abstract]
저자
양기찬 [ Gi-chan Yang | 수원대학교(The University of Suwon) ]