Earticle

초록

영어

In general, there is a heterogeneity and distance between an architecture concept and design outputs by two original differences of language and image. The distance is not narrowed. Also, when architects explain a form or image of the work through their architectural thought, they explain the form and image of the work only with the linguistic tool of ‘Concept’. However, architects do not make a creative thinking only with the concept, but progress with many images related to the shape. The shape and image are exposed through the ‘Architectural-schema’ of architects. In this study, the meaning of schema was re-interpreted through the schema theory of Kant, Bergson and Gombrich, and the schema applied to the artistic creation process. Also, Architectural-schema to be used for the architecture, one part of the art was defined and the meaning of it was analyzed in the architectural design process. Moreover, the role and characteristics of Architectural-schema which was distinguished from the schema of general recognition process was explained in the design creation process of architecture. Architectural-schema became one clue of explaining various forms and image origin in the architecture, and will be helpful in understanding the architectural thinking of architects who make various forms and image's structural origin and its image of architecture.

목차

Abstract
 1. 서 론
  1.1 연구배경 및 목적1
  1.2 연구범위 및 방법
 2. 스키마의 기본이해
  2.1 인지구조로서의 스키마
  2.2 칸트의 스키마
  2.3 베르그송의 스키마
 3. 예술적 창조과정에서의 스키마
  3.1 예술적 창조를 위한 스키마
  3.2 예술적 스키마에 의한 이미지
 4. 건축적 스키마
  4.1 건축적 스키마의 정의
  4.2 건축설계 과정에서의 건축적 스키마
  4.3 건축적 스키마의 특성
 5. 결 론
 참고문헌

저자

• 오신욱 [ Oh, Sin-Wook | 동아대학교 건축학부 겸임교수, 공학박사 ] 교신저자
• 조용수 [ Cho, Yong-Soo | 동아대학교 건축학부 교수, 공학박사 ]

참고문헌